Crash Course Theater

This week, we're back in Europe to learn about Realism and Naturalism. In the 19th Century, playwrights like Eugene Scribe, Alexandre de Dumas Fils, and Emile Zola remade the French theater, first with Realism, and later with Naturalism. What are those things? Watch and learn.

We’re continuing our discussion of nineteenth-century American theater with a look at some upsetting parts of the US's theatrical past. In the nineteenth century, race and racism contributed to a unique and troubling performance culture, which helped create and spread racist stereotypes that are still with us today.

This week we're headed to China to learn about the ancient origins of theater there. We'll look at the early days of wizard theater (not a typo), the development of classical Chinese theater, and the evolution of Beijing Opera.

This week, we're headed back to India to learn about the all night dance shows that culminate in killing a Demon (metaphorically): Kathakali! This form arose in the Kerala region of India, and tells traditional Indian stories, but with really remarkable makeup, hand positions, and dance moves.

In the 17th century, English theater had to go into hiding, from PURITANS. Let's take a look at how the English Civil War, Charles I's beheading, and the Restoration of the monarchy all had effects on the English Theater. Also, WOMEN finally make it to the English stage in this episode. Plus, Restoration comedies are pretty smutty, so you should hang on 'til the end of the end of this one.

It's lights up in America! This week, we're headed to North America. We'll look at Native American storytelling traditions, the theater that Europeans brought along starting in the 17th century, and how theater developed before and after the American Revolutionary War. Also, a terrible Macbeth rivalry which culminates in a full blown theater riot.

In the 18th century, audiences were ready for some really dramatic theater. Like, a dog dueling a man type of dramatic. In London, only two theaters were licensed, but entertainment entrepreneurs figured out that musical entertainments weren't subject to the same restrictions. So, incidental music was invented, and the melodrama was born. And then switched with another infant. And so forth.

Theater had a slow start in Germany, mainly because Germany wasn't a thing until *relatively* recent times. After Germany finally became a unified state, it had a couple of really important theatrical movements. We'll talk about Sturm and Drang, as well as Weimar Classicism. We'll also get into the work of the greatest German playwright, Goethe, and look at his play Faust in the Thought Bubble.

This week, we're headed back to England to learn about Sentimental Comedies. They weren't that funny, but they were definitely sentimental. The people of England were shaking off the Restoration hangover, and bawdy plays no longer had a place. In fact, there wasn't a place for much of any drama, as only two theaters were licensed to present plays. Rules and regulations everywhere, y'all.

In Japan, under the Shoguns, there's couple of really interesting types of drama on the scene. Kabuki is a sort of successor to Noh, with wilder stories and more action. And Bunraku is straight up high intensity puppet theater. Mike tells you all about how the Samurais got themselves into trouble watching bawdy theater shows in Edo.

This week, we're headed to the Americas to learn about the theater that existed there prior to the arrival of Europeans, how the theater of the Spanish influenced it, and the impact of Sor Juana Inez de la Cruz, playwrighting Spanish nun extraordinaire.

This week on CC Theater, Mike Rugnetta teaches you about the greatest playwright of Renaissance France, Molière. We'll talk a bit about early French theater design, and the kingly love of theater that Louis the XIII and XIV shared, and look at Molière's Tartuffe in the Thought Bubble.