Part Two: Painter-God

In October 1503, Leonardo da Vinci begins work on a monumental mural, The Battle of Anghiari. But the commission also put him in close proximity to his rival, Michelangelo, who was hired to paint a second mural in the council hall. Just as the central scene of Leonardo’s mural started to take shape, he stopped – abandoning yet another commission. It’s unlikely Michelangelo ever began his mural.

Muslim scientists in the Middle East had been testing their theories with experiments for a long time. However, most natural philosophers in Europe continued basing scientific conclusions on observation alone. But, as Leonardo da Vinci ages, he becomes more of a scientist. His notebooks capture the experiments he performed with empirical observations to investigate the cause of outcomes.

Leonardo da Vinci resumes his investigation into human anatomy, merging rigorous scientific exploration with expert artistry. The scope of his studies grew, and he strove to describe human anatomy from the fetus to the fully grown man and women – their proportions, skeletal framework, muscular systems, and the nature of the senses.

All of Leonardo da Vinci’s accomplishments are showcased in his unfinished painting The Virgin and Child with Saint Anne. From his scientific and artistic knowledge to observations on how atmospheric phenomena – light, haze, vapor, altitude and distance – affect the appearance of the landscape, the intensity of colors and the sharpness of details.

Toward the end of his life, Leonardo da Vinci finally finds the perfect patron – the King of France – and leaves leaving Italy for the first time. He stages spectacles, teaches, and continues to draw since painting becomes difficult. When giving a tour of his studio, Leonardo proudly shows his manuscripts and several unfinished paintings, including the culmination of all his work: The Mona Lisa.