San Francisco Opera's Moby Dick

Jay Hunter Morris stars as Captain Ahab in San Francisco Opera's Moby-Dick. He talks about the creative process in this interview. Composer Jake Heggie and librettist Gene Scheer’s award-winning opera will be broadcast Friday, November 1, 2013, at 9 p.m. on PBS

Gene Scheer, librettist of the opera Moby-Dick, describes his creative process in representing the novel. He sees the emotional journey of Ishmael (the narrator) and the harpooner Queequeg's influence on him as his best friend as the soul of the novel. After working six months on his own, Scheer traveled with composer Jake Heggie to Nantucket to collaborate. Premiering Friday, November 1, 2013.

Jonathan Lemalu discusses his role of Queequeg in Moby-Dick. He describes how each production has researched tattoo patterns for him to wear. A Pacific Islander, Lemalu felt at ease with what the San Francisco Opera designed. He thinks of the harpooner's tattoos as his armor. See Lemalu in the broadcast on Friday, November 1, 2013, at 9 p.m.

Composer Jake Heggie describes how the opera "Moby-Dick" came to be, his collaboration with Gene Scheer, and his love for singers. Before he writes, it's important to him to know the singers who will create the roles.

Soprano Talise Trevigne talks about the luxury of working with the composer Jake Heggie while creating the role of Pip for "Moby-Dick." Pip is a male character --- the cabin boy --- and this is Trevigne's first "pants" role.

See portions of Morgan Smith’s performance as Starbuck, Captain Ahab's first mate, and find out the baritone singer's favorite musical themes and scenes in "Moby-Dick."

Stephen Costello discusses his role as Ishmael, or "the Greenhorn" in the San Francisco Opera production of "Moby-Dick." Watch scenes of his duet with Jonathan Lemalu as Queequeg, and Costello's aria, "Human Madness."

Patrick Summer is the conductor of San Francisco Opera's "Moby-Dick." He describes presenting new work as "one of the most vital things we do in the performing arts" and discusses how a living composer provides additional details beyond what's written in the score.

This eight-minute timelapse video captures 24 hours on the stage of the San Francisco Opera, featuring the crew and cast of "Moby-Dick" in the modes of set-up, performance, and break-down of the set the next day --- all from an unusual aerial view.