Musicians' Powerful Response to Birmingham Church Bombing

GOSPEL’s hour 1 takes the gospel train north to Chicago, where southern migrants Thomas A. Dorsey, Mahalia Jackson and Sister Rosetta Tharpe blended the melodic sounds and instrumentation of blues and jazz with lyrics about God’s goodness. Like the blues, gospel would become a commodity, but one built by Black-owned publishing companies like Martin and Morris and sustained by Black audiences.

GOSPEL’s hour 3 reveals how gospel was going mainstream and family dynasties, many raised in the Church of God in Christ, would dominate the charts. Meanwhile, other children of the church used their heavenly voice to influence soul music. As gospel artists took the message everywhere, Black pastors continued to distinguish their message through a prophetic voice and sound with sermonettes.

Starting in the 1940s, GOSPEL’s hour 2 explores the Golden Age of Gospel — the dramatic explosion of Black sacred music and the segregated highways of the American South — through the successful careers of Mahalia Jackson, Sam Cooke and Aretha Franklin. As the lines between the sacred and secular blur, gospel music becomes the powerful soundtrack of the freedom struggle.