Dorothea Lange: Grab a Hunk of Lightning

In this excerpt from Dorothea Lange: Grab a Hunk of Lightning, curator John Szarkowsi and Lange prepare for her career retrospective at the Museum of Modern Art (MoMA). It would be the first exhibition the museum dedicated to a woman photographer and it would cover 25 years of her work. American Masters: Dorothea Lange: Grab a Hunk of Lightning premieres Friday, August 29 at 9-11 pm on PBS.

Dorothea Lange's photographed resilient men and women struggling with the Great Depression and sharecropping system. Lange tells the story of Tom Collins, the manager of "Migratory Labor Camp," whom she met. He became a character in John Steinbeck's novel The Grapes of Wrath. American Masters: Dorothea Lange: Grab a Hunk of Lightning premieres Friday, August 29 at 9-11 pm on PBS.

In 1919 at the age of 24, Dorothea Lange opened her own portrait studio in San Francisco, which was a success and simultaneously became a social gathering spot for artists. American Masters — Dorothea Lange: Grab a Hunk of Lightning premieres nationwide Friday, August 29, 9-11 pm on PBS.

Photographer Dorothea Lange and her husband were the first to witness and to understand the causes of the huge migration to California in the 1930s: families were escaping the Dust Bowl. In this excerpt, Lange describes photographing the first car arriving in California. American Masters — Dorothea Lange: Grab a Hunk of Lightning premieres nationwide Friday, August 29, 9-11 pm on PBS.

The U.S. War Relocation Authority hired photographer Dorothea Lange to document the relocation of Japanese-Americans to internment camps during World War II. It horrified her, but she felt it was important to record what has happening. "This is what we did. How did it happen? How could we? Now, I have never had a comfortable feeling about that war relocation job," she later said.

Photographer Paul Kitagaki Jr. found surviving Japanese-Americans who were photographed by Dorothea Lange and others as they were taken to internment camps during World War II. This forced relocation process was led by the U.S. War Relocation Authority in 1942. Kitagaki took portraits of these former internees, often taking the photos in the same locations or arrangements as the 1942 photos.