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Asian Identity: three contemporary Artists reflect on adaptation in an intercultural dialogue

About the Artists

 

Sarawut Chutiwongpeti constantly travels the world, becoming inspired by new experiences. He explores the intersection of art and culture in a rapidly changing modern society, looking for his own voice and identity as an artist. His work is a means of connecting the culture of his mother country and the neo nomadic lifestyle to which he is currently oriented. His series Untitled (Wishes, Lies and Dream) presented in this exhibition is part of the artist's work Utopia, which encompasses other experiences in which he learns about the world and finds a new identity.

 

Sarawut Chutiwongpeti is an artist who lives and works in various places around the world. His film works and installations are highly personal: they are a means to make connections between his native country, Thailand, and its culture, and the living aesthetics of a neo-nomadic artist. He has presented his work in solo exhibitions at the Graz Kunstverein, London Art Fair, and Korea International Art Fair among others, as well as in numerous group exhibitions in recent years, including the Athens Biennale 2018: ANTI (Greece, 2018), Bienal Internacional de Arte de Cerveira (Portugal, 2017), The Third Kunming Fine Art Biennale 2016 (Yunnan Fine Art Museum, China, 2016), and the Sea Art Festival at the Busan Biennale (Korea, 2015).

 

For more information, visit the artist's website at www.chutiwongpeti.info

 

Yuni Kim Lang works artistically to understand her position in a society or a group with regard to ethnicity, region, or characteristic culture and employs a variety of creative genres including sculpture, photography, installation, and performance art to explore these facets of her identity. Growing up in a foreign country after leaving Korea at age three, she became interested in the Korean symbolism of black hair as she formed her childhood cultural identity. Living among people of different appearances in America, her own black hair felt significant psychologically and aesthetically. Eventually she came to envision it as a landscape or seascape, full of life and full of stories to tell. The knots in her works are also cultural symbols with various layers of meaning. The massive pile of dark woven knots, appearing like hair in her sculpture work, symbolizes connection, conformity, adornment and much more; it is powerful and beautiful, yet burdensome and heavy. It is this intense, overwhelming, and yet satisfying relationship that connects us to our inner self.

 

Yuni Kim Lang received her MFA from Cranbrook Academy of Art and a BFA from Parsons School of Design. Lang is a Michigan-based visual artist who creates sculptures, photographs, and wearable art that explores themes of weight, mass, accumulation, hair, and cultural identity. She creates sculptures out of rope and synthetic materials that transcend materiality to become bodily. She is fascinated by the things people give power and meaning to, along with our human obsession with adornment. Lang has presented her work at numerous shows, including solo exhibitions at the Frost Art Museum in Miami, Fla. and at Sienna Gallery in Lenox, Mass., as well as at the Kohler Art Center in Sheboygan, Wis., Collective 2 Design Art Fair in New York, NY, Parsons Alumni Juried exhibition, New York, N.Y., Brooklyn Metal Works in Brooklyn, N.Y., Mercedes-Benz Financial Services in Farmington, Mich., and Galerie Marzee in Nijmegen, The Netherlands. She participated in a residency at Red Gate Gallery in Beijing, China and received a Merit-based scholarship for her residency at the Vermont Studio Center in Johnson, Vt.

For more information, visit the artist's website at www.yunikimlang.com. 

 

Khánh H. Lê explores and questions the concept of his identity through culture and memory. Growing up in the United States as a Vietnamese American, he learned to adapt his identity to a new culture, effectively existing between two cultures, which he expresses in his work. Contradiction and division are important issues when examining the concept of identity within the structure of his work. Through the process of compiling family photographs, digital content, magazines, and collages of metals and beads together, he creates an original genre of artwork that reflects the inherent tension in the subjects’ identities. For Lê personally, identity plays a central role in artistic output. He continuously probes his personal and familial histories in an attempt to carve out a cultural identity for himself.

 

Lê graduated with his BFA from Southern Illinois University at Edwardsville and his MFA from Syracuse University. His work has been exhibited at the Hunterdon Art Museum (Clinton, N.J.), Visual Arts at Chautauqua Institution (Chautauqua, N.Y.), Corcoran Gallery of Art (Washington, D.C.), Vox Populi (Philadelphia, Pa.), Delaware Center for the Contemporary Arts (Wilmington, Del.), Arlington Arts Center (Arlington, Va.), and in Washington, D.C. at Honfleur Gallery, DC Arts Center, Washington Project for the Arts, and Transformer. The New York Art Residency and Studio awarded Le their 2016 Annual Solo Exhibition Fellowship. The DC Commission on the Arts and Humanities awarded Lê their Artist Fellowship for the Visual Arts in 2017. Lê continues to live and work in Washington, D.C., where he actively explores and questions the notion of identity through the lenses of culture and memory.

For more information, visit the artist's website at www.khanhartist.com. 

Categories: Exhibits

Event Venue

Korean Cultural Center

2370 Massachusetts Ave
Washington D.C., DC 20008
Phone: 2027976343

For more information:

  • Friday, December 7, 2018 - 6:00pm
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