It seems simple on the surface, but there is a lot to discover in Ravel's most famous work (much to his dismay!). Joshua Weilerstein, one of today's in-demand conductors, joins John Banther to offer his perspective on the music and all the details that need to be addressed to pull it off in performance.
DC native composer, George Walker, was one of the great American composers of the 20th and 21st centuries. His close friend and colleague, Dr. Mickey Terry, joins John Banther to discuss his life, challenges, and three works you need to listen to.
There is so much to discover about this masterpiece, like its collaborative and ballet origins, Copland's inventive use of an unknown folk tune, and even how it got its name.
Dr. Karen Walwyn discusses the life and music of Florence Price, the first woman African American composer to have a symphony played by a major orchestra in the United States.
Discover music by Holst that was inspired by the gods our planets are named after in our solar system. This seven-movement orchestral suite includes the terrifying sounds of war, the comfort of peace, jollity, and so much more.
She was America's first woman composer to have a symphony performed by a major orchestra and the first American composer fully educated in the United States. She was praised and recognized but her journey to success was an uphill battle with obstacles and challenges.
An orchestral staple today, this work about "the sea" wasn't well received at it's premiere. Audiences may have expected a Strauss-esque symphonic poem to bring the sea to life, but Debussy was more interested in the abstract. This is part 1 of our 3 part series on Debussy's enchanting orchestral work, La Mer.
The trumpet shines through in Jeux de Vagues, (Play of the Waves), the second movement of Debussy's La mer. This is part 2 of our 3 part series on Debussy's enchanting orchestral work, La Mer.
Debussy's La Mer is as imaginative and playful as it was in 1905, and while the original audience wasn't as receptive, it's become an orchestra staple over the last century. The final movement is called "Dialogue du vent et de la mer" (Dialogue of the Wind and the Sea) and features a theme originating in the oboe. We'll hear from Nicholas Stovall, Principal Oboe of the National Symphony Orchestra, on what this passage means to him and why he had to play it during Principal Flute auditions.